07.13.2019 | 09.15.2019 
SUNLIGHT BY FIRESIDE: THE ASH ANNALS | KAPWANI KIWANGA

The complex issues of current and historical colonization processes are at the core of Kapwani Kiwanga’s artistic practice. Kiwanga, who studied anthropology and comparative religion at McGill University, continues this querying of decolonial gestures with her exhibition Sunlight by Fireside: The Ash Annals.

As part of Sunlight by Fireside: The Ash Annals, Kiwanga chose to create opportunities for dialogue and sharing, inviting viewers to engage with her installation by handling the works in the gallery. By digging a hole on the grounds of the SAAG and moving the displaced soil into the gallery, Kiwanga asks visitors to repatriate the dirt, one bucket at a time.

This action aims to exercise gestures of giving and returning in relation to the land and counters the dominant learned gestures of taking and seizing. Through the use of materials such as soil, ceramics, cloth, and light and shade, the artist addresses economic and social issues in relation to colonial acts of extraction and the exploitation of natural resources.

This exhibition is initiated and circulated by the Musée d'art de Joliette.

Co-curated by Anne-Marie St-Jean Aubre and Kristy Trinier.

Production assistance by Tanya Doody.

Kapwani Kiwanga, Positive-Negative (Morphology), hole dug in the grounds nearby and its soil, 2019. Courtesy of the artist and Musée d’art de Joliette.

Documentation photography courtesy of Jaime Vedres, 2019.