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PUBLICATIONS

The Southern Alberta Art Gallery maintains an extensive publishing program as a complement to its exhibitions. SAAG produces approximately six to eight exhibition catalogues each year, of which the majority are monographs. A major mailing is undertaken every year to distribute catalogues to over 250 art institutions, independent curators and publishers across Canada, the U.S.A. and Europe. In addition, Art Books Canada (ABC) regularly orders and distributes the gallery’s publications.

Art Books Canada is the Gallery's official retail and library distributor in Canada and worldwide.
Visit the ABC website for a complete listing of available publications

 

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Publications Page: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12
Wendy Welch  /  Wendy Welch: Baril
October 2005

Wendy Welch: Baril Welch collects and sorts everyday materials, transforming the mundane through structure and order into site specific works that defy categorization.
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Susan Turcot  /  Susan Turcot: Beingrich
January 2005

Susan Turcot: Beingrich Turcot collaborated with musician Roger Turner in a drawing performance on an amplified board in a duet for paper and pencil.
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Angela Leach  /  Angela Leach: Paintings
January 2005

Angela Leach: Paintings Having been introduced to the discipline of painting and to textile design, Leach found her way to a marriage of the two.
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Bill Burns  /  Bill Burns: Safety Gear for Small Animals
January 2005

Bill Burns: Safety Gear for Small Animals Part exhibition catalog, part sales catalog, this exquisitely designed hardcover edition presents the entire line of hand-made safety gear for small animals: miniature hats, gloves and safety vests.
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Tania Kitchell  /  Tania Kitchell: Cold Cuts
January 2004

Building on a documentary foundation, Kitchell produces photographs of herself playing in the snow. She also makes a vast array of winter clothing, including Joseph Beuys-inspired felt snow suits.
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Bettina Hoffman  /  Bettina Hoffman: Spoilsport
January 2004

Hoffmann's photographic practice presents an investigation of conflict, non-verbal communication and the unspoken. With cinematographic undertones, she constructs banal everyday scenes, creating complex situations of people in an atmosphere of feigned indifference, desperate seduction and veiled humiliation.
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Michael Campbell  /  Michael Campbell: 12,000 Years of Collapsing into Eight Seconds
January 2004

Michael Campbell describes his most recent video installation, created expressly for the Southern Alberta Art Gallery, as expanding on previous production with the construction of a large cinematic set that implies multiple fictive narratives.
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Monica Tap  /  Monica Tap: Paintings
January 2004

Tap's large-scale canvases set up compelling dualities: historical/contemporary, abstract/representational and original/referential. While not a landscape painter, her work concerns itself with the history and convention of landscape painting.
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Mindy Yan Miller  /  Mindy Yan Miller: Crown & Drop Out
January 2003

Mindy Yan Miller’s work addresses issues of memory, loss, recovery, desire and embodiment. Her installations have often incorporated used clothing, although she has utilized a range of other materials to reference the body – human hair, depleted Coca Cola cans, and video projections.
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Daniel Laskarin  /  Daniel Laskarin: It Might Not Take That Long
January 2003

Daniel Laskarin graduated in 1985 from Simon Faser University in the fine and performing arts, with a visual art concentration, and completed his MFA at University of California, Los Angeles in 1991.
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Shari Hatt  /  Shari Hatt: Dogs
January 2003

A native of Halifax now living in Montreal, Shari Hatt's work has been shown in solo and group exhibitions in galleries and museums in Canada and the United States.
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Annette Merkenthaler  /  Annette Merkenthaler: Slow Spring
January 2002

In April and May of 1999, Annette Merkenthaler was artist in residence at the Gushul Studio in Blairmore, Alberta wehre she created three new works; two of which were site installation.
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David Hoffos  /  David Hoffos: The Lethbridge Illusionist and His Cinema of Attractions
January 2001

Through the use of centuries-old optical techniques, film, video, composite projections, time-lapse photography and live closed-circuit video the artist creates what he refers to as illusions and which others may call installations.
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Patrick Mahon  /  Patrick Mahon: Palindrome
January 2000

Mahon's installations explore the relation between structure and surface through the medium of wallpaper that he designs and has fabricated himself.
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Hamish Fulton  /  Hamish Fulton: Magpie: Two River Walks
January 2000

Refuting the labels of land artist, conceptual artist, environmental artist and conceptual sculptor, Fulton calls himself simply a walking artist.
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Lyndal Osborne  /  Lyndal Osborne: The Poetic Structure of the World
January 2000

Australian-born Lyndal Osborne is a collector, a weaver and a maker of shapes. Seeds, pits, flowers, leaves, thistles, fungus and vegetables are gathered and woven into sculptures and installations, both strange and familiar.
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Renate Buser  /  Renate Buser: Objects in Mirror May Be Closer Than They Appear
January 2000

Buser's photographs assume the real and fragile position of the photographer, becoming the amplified link between the human body - with its imperfections - and a perfected optical technology.
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Yasufumi Takahashi  /  Yasufumi Takahashi: Injurious Inertia
January 2000

Takahashi's installations ask us to speculate about objects that resonate with familiarity even though they trouble us in our attempts to locate them in our own experience.
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Peter von Tiesenhausen  /  Peter von Tiesenhausen: Deluge
January 2000

In a brief interview, von Teisenhausen discusses his "borderline" atheism in relation to his use of symbolic imagery, in particular the cross.
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Euan MacDonald  /  Euan MacDonald
January 1999

While Macdonald's art is postmodern in its complexity and media cross-referencing (paintings and drawings integrated into video exhibitions) it is also simplistic and immediate with a limited number of distinct sets of imagery.
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Jeannie Thib  /  Jeannie Thib: Geographia
January 1999

For more than a decade, Thib graphed the social construction of the female identity, her fragmented maps, patterns and designs making up a singularly cohesive body of work.
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Gwen MacGregor  /  Gwen MacGregor: Fold It Up and Put It Away: Fernie's Curse
January 1999

A specific historical event, the story of a tribal curse on the artist's hometown, is revived in an anecdotal rather than archeological way. Through myth, printed records, film and oral history, McGregor reveals the story of the creation of the curse by members of the Tobacco Plains Band and its ultimate ceremonial lifting in 1964.
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Susan Schantz  /  Susan Schantz: Satiate
January 1999

Lippard speculates on the ramifications of Shantz's transformation of everyday artifacts into uncanny sculptural shapes. Concerns with traditional woman's work and the menstrual cycle connect with the archeological and even spiritual aspects of the finished objects.
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Publications Page: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12