EXHIBITIONS
Dominique Rey / Erlking
January 14 - March 4
To worry or to smile, such is the choice when we are assailed by the strange; our decision depends on how familiar we are with our ghosts.
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January 14 - March 4
To worry or to smile, such is the choice when we are assailed by the strange; our decision depends on how familiar we are with our ghosts.
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Jon Sasaki / Good Intentions
January 14 - March 4
Jon Sasaki’s work emulates the perseverance of spirit of a blues drifter. Acceptance—rather than transcendence—of one’s current situation, and the will to persist, are the markers of Jon’s personae and cast of characters.
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January 14 - March 4
Jon Sasaki’s work emulates the perseverance of spirit of a blues drifter. Acceptance—rather than transcendence—of one’s current situation, and the will to persist, are the markers of Jon’s personae and cast of characters.
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Lancelot Coar / Swarm
January 14 - March 4
Within all materials and structures lie the secret lives of dynamic and flowing forces that leap, spring, and bind the materials they are contained by.
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January 14 - March 4
Within all materials and structures lie the secret lives of dynamic and flowing forces that leap, spring, and bind the materials they are contained by.
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Charles Stankievech / Over the Rainbow, Under the Radar
March 10 - April 29
Charles Stankievech is an artist who creates ‘fieldworks’: a spatial practice that combines researching, aesthetic experiments, curating, pedagogy and writing in which he reveals latent histories while questioning conventional boundaries.
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March 10 - April 29
Charles Stankievech is an artist who creates ‘fieldworks’: a spatial practice that combines researching, aesthetic experiments, curating, pedagogy and writing in which he reveals latent histories while questioning conventional boundaries.
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Chris Kline / Bright Limit
March 10 - April 29
The work of Montreal-based artist Chris Kline reflects on the history of painting—modernist abstraction, in particular—while offering a unique take on the medium’s formal and material vocabulary.
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March 10 - April 29
The work of Montreal-based artist Chris Kline reflects on the history of painting—modernist abstraction, in particular—while offering a unique take on the medium’s formal and material vocabulary.
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