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EXHIBITION ARCHIVE

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Lyn Carter  /  Incognito
November 26, 2005 - January 15, 2006

A visual artist with a strong textile background, Lyn Carter employs pattern as symbol and disguise, surface and structure. In her series Cheat (2003), the artist draws from everyday culture and produces forms reminiscent of chess pieces, bottle stoppers, shovels, and faucets.
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Julie Voyce  /  Paste-Up
November 26, 2005 - January 15, 2006

Toronto artist Julie Voyce has been developing her current series of abstract screen prints since 2000. Her challenge was to produce an entire body of work using the same three colours (transparent cyan / orange / black).
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Devora Neumark, Léa Neumark-Gaudet  /  Place Sense and the Performance of Memory
October 7, 2005 - October 15, 2005

Not long after a fire devastated their Montreal home (ten years ago this coming November), Neumark and her daughter Léa were encouraged to travel to southern Alberta, and subsequently Lethbridge.
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Eric Walker  /  Railway Lands
September 25, 2005 - November 13, 2005

Eric Walker was born in Halifax, Nova Scotia in 1957. He studied at the Nova Scotia College of Art and Design between 1976 and 1983 where he was greatly influenced by the modernism of such visiting artists as Canada's Patterson Ewen, Germany's Joseph Beuys and Americans Robert Frank and June Leaf; as well as the later polemicists Martha Rosler, Dan Graham and Allan Sekula.
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Gunilla Josephson  /  Resistance
September 24, 2005 - November 13, 2005

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Raymonde April, Chris Cran, Gordon Ferguson, John Goodman, Katherien Govier, Angela Grauerholz, Faye HeavyShield, Mary-Beth Laviolette, Billy McCarroll, Jin MacQuarrie, Sandra Meigs, Robert Murray, Robert Finley, Judith Schwartz, Aritha van Herk, Robert Youds, Tim Zuck  /  The McIntyre Ranch Project
June 29, 2005 - September 11, 2005

In 1990, when a group of prominent Canadian artists toured the Oldman River by raft and canoe, they spent a brief sojourn at the historical McIntyre Ranch, located 35 miles east of Cardston, near Magrath, Alberta.
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Ansel Adams, Leonard Frank  /  History Lessons (The Manzanar Photographs: Ansel Adams & The B.C. Security Commission Photographs: Leonard Frank
May 12, 2005 - June 12, 2005

ANSEL ADAMS: THE MANZANAR PHOTOGRAPHS Ansel Adams was born in San Francisco in 1902 and by the time of the Second World War was already a well-known photographer, especially of landscapes and ‘nature’.
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Bill Burns  /  Safety Gear for Small Animals
March 12, 2005 - April 24, 2005

Safety Gear for Small Animals is about animal rescue, relocation and rehabilitation. Bill Burns is the Director of the Safety Gear for Small Animals, the largest producer of safety gear for small animals in the world.
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Wendy Welch  /  Taxonomy
March 12, 2005 - April 24, 2005

Wendy Welch received her BFA from Concordia University and studied visual arts in the graduate program at California State University, Los Angeles.
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Robbin Deyo  /  Sweet Sensation
January 22, 2005 - March 6, 2005

Whether they are hundreds of blue monochromes that eventually become clouds, or sugar-charged cereal shapes that playfully create a gigantic Saturday morning constellation, the forms in Robbin Deyo’s wall-works come to us in repetitive obsessive abundance.
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F. Leslie Thompson  /  Erase Me
January 22, 2005 - March 6, 2005

The images in Erase Me were made along the southwestern Saskatchewan-Montana border, in lands that include Grasslands National Park. This terrain is one of the last remaining examples of the central North American plains.
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Hannes Lárusson  /  Take Me On
November 27, 2004 - January 16, 2005

Through a diversity of approaches - sculpture, installation, public works and multiples - Hannes Lárusson has firmly situated himself as one of Iceland’s most unique contemporary artists.
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Lisa Klapstock  /  liminal
November 27, 2004 - January 16, 2005

With a focus on everyday environments, I use the camera to investigate place and its human occupation. My practice explores mechanisms of seeing and the ways in which photography affects and challenges visual perception.
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Ana Rewakowicz  /  Travelling with my inflatable room
October 5, 2004 - October 6, 2004

The Travelling with my inflatable room project explores the concepts of belonging and mobility. During the fall of 2004, Ana travelled in a van carrying the inflatable room and setting it up at different urban (local parks, plazas, parking lots) and rural locations across Canada in order to live out of it during that time.
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Michelle Bellemare  /  kilter
September 18, 2004 - November 14, 2004

The practice of Toronto artist Michelle Bellemare has continued to explore the momentary embodiment of loss: the loss of security, identity, and voice.
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Michael Wagener  /  Upper Worlds
September 18, 2004 - November 14, 2004

Objective validity – that’s what maps promise graphically.  Dots and lines create the reliability we entrust ourselves to, out of necessity or rather happily.
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Ziff House  /  Reconstructing Landscape
June 19, 2004 - September 5, 2004

Geology paid my way through university,” writes Ziff House in an artist’s statement. Prospecting in the summer opened my eyes to the northern landscape (of British Columbia and the Yukon Territory); which I believe is unknown to many people.
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Angela Leach  /  Paintings
June 19, 2004 - September 5, 2004

For over ten years, Toronto-based painter Angela Leach has been creating a series of acrylic paintings entitled Abstract Repeat. By sequencing colour in random order, these works offer vibrating fields of pattern that transform the picture plane through the resulting illusionary effect.
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Various Local Children  /  Art's Alive & Well In the Schools
May 2, 2004 - June 13, 2004

Organized by the Southern Alberta Art Gallery in cooperation with the Lethbridge School district #51 and the Holy Spirit Catholic Separate Regional School Division #4.
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Faye HeavyShield  /  blood
March 13, 2004 - April 25, 2004

  HeavyShield uses memory as one of the most important elements in her creative process, through which she maps out a territory whose signposts consist of knowing how to speak the Blackfoot language, …and of feeling why there is beauty in an animal’s gaze.
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Wang Qingsong  /  Present Day Epics
March 13, 2004 - April 25, 2004

It is the shock impact of symbolic systems that Chinese artist Wang Qingsong stages, using large-format photographs to depict the economic changes currently underway in the People’s Republic of China.
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Exhibition Archive Pages: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29